A beautiful, enchanting psychic (Nikki Anderson) disappears mysteriously, and two of her groupies decide it s up to them to get to the bottom of it. While investigating, they come across a set of Tarot cards, and one by one the cards come to life. This puts the two in a series of extremely compromising positions, from watching a peasant girl getting it hard up the ass from The Charioteer to participating a steamy three way with The High Priestess. This is a New Zealand classification of Taboo Of Tarot.

Dylan Hewitt is a young, desperate gambling addict plummeted into financial ruin. That is until a strange, anonymous caller -- who happens to know every intimate detail of Dylan's life -- offers a unique solution to his problems. Lured by the promise of easy money and the beauty of an enigmatic woman, Dylan enters a lurid underworld of counterfeiters and con artists, where he becomes the unwitting pawn in a scheme far more elaborate and ruthless than he could have ever imagined.

A wealthy music executive receives a phone call from a stranger who claims to have evidence that could ruin his career.

A brutal fate mystery series that tells the story of being trapped in the curse of tarot cards twisted by a moment's choice.

When a group of friends recklessly violate the sacred rule of Tarot readings, they unknowingly unleash an unspeakable evil trapped within the cursed cards. One by one, they come face to face with fate and end up in a race against death.

Maraya is a well known satiric multi-season Syrian television series, created by the comedian Yasser al-Azmeh.

An ex-cop and his family are the target of an evil force that is using mirrors as a gateway into their home.

The film is based on the life of Marina Tsvetaeva, one of the most tragic and greatest poets of the 20th century. The authors follow her in Russia, then in immigration in Prague and Paris, and then her return to Russia where she committed a suicide a few month after her arrival.

The wife and mistress of the abusive headmaster of a boy's school plot and carry out his murder. They dump his body in the murky swimming pool at the school and await for it to surface. After several days, some unusual circumstances point to clues that he is not dead after all.

How do the vicissitudes of contemporary notions of nationhood alter our relationship with cultural patrimony? It’s a question obliquely suggested by Amit Dutta’s latest film. As a camera explores the architecture of a museum, we hear a description of a painting we never see. Eventually, we leave the building behind and examine the remains of a temple, explored to weather and war. Sensual and rigourous, The Game of Shifting Mirrors reaffirms Dutta’s place as India’s most accomplished experimental filmmaker -- Michael Sicinski